Shown at Tmuna between 12/2007 to 6/2009
Stage adaptation of the novel monumental " marriage " by David fogel
Performed by Aspamia Ensemble.
Vienna . 20s . Between the two World Wars. Rudy Gordooil, writer and Bohemian Jew, falls in love with Baron Thea von taco, whose family down and out, and the two get married. Marriage soon become sado masochistic relationship, in which Baroness cheating on him, reported on his infidelities, and bother to inform them that their child is not in us.
All the while remained blind Rudy 's love of Lottie Bodenheim, a young Jewish woman loses her life for him.
"Through his work 's monumental Vogel, " says Shimko "We want to explore the nature and character of love, as she touches extremism and obsessively destructive love engine self-destruction, to the inability to distinguish between love, lust and desire to assimilate the other, leading to the cancellation and implementing complete self. Way personal tragic story resonates national identity and collective tragedy. Examining the relationship of Gordooil and Baroness von taco opens an inevitable option to examine the relationship of response and tortured, the German Jews just before the Holocaust. Relationship, sabra sometimes hard to fathom.
We chose to retain the original language that characterizes the period and through the expression of the Fogel poet, as expressed in the novel was written in Hebrew rich and poetic.
Same Hebrew poetic serves us well as defiance against the sterilization of the Hebrew language becoming devoid of roots and culture, Della, television / ratings, vulgar and lack of nuance. We believe that the use of Hebrew poetry on stage may bring her some dignity. "
Stage adaptation of the novel monumental " marriage " by David fogel
Performed by Aspamia Ensemble.
Vienna . 20s . Between the two World Wars. Rudy Gordooil, writer and Bohemian Jew, falls in love with Baron Thea von taco, whose family down and out, and the two get married. Marriage soon become sado masochistic relationship, in which Baroness cheating on him, reported on his infidelities, and bother to inform them that their child is not in us.
All the while remained blind Rudy 's love of Lottie Bodenheim, a young Jewish woman loses her life for him.
"Through his work 's monumental Vogel, " says Shimko "We want to explore the nature and character of love, as she touches extremism and obsessively destructive love engine self-destruction, to the inability to distinguish between love, lust and desire to assimilate the other, leading to the cancellation and implementing complete self. Way personal tragic story resonates national identity and collective tragedy. Examining the relationship of Gordooil and Baroness von taco opens an inevitable option to examine the relationship of response and tortured, the German Jews just before the Holocaust. Relationship, sabra sometimes hard to fathom.
We chose to retain the original language that characterizes the period and through the expression of the Fogel poet, as expressed in the novel was written in Hebrew rich and poetic.
Same Hebrew poetic serves us well as defiance against the sterilization of the Hebrew language becoming devoid of roots and culture, Della, television / ratings, vulgar and lack of nuance. We believe that the use of Hebrew poetry on stage may bring her some dignity. "
Processing stage: Dalia Shimko and Ofer Eye Gal.
Director: Dalia Shimko.
Set: Alex Broitman.
Costumes: Diti ofek.
Music: Issar Shulman.
Lighting: Jacob Sliv.
Except Maya and Nurit, all players participated in the production of "blood relationship" directed by Dalia Shimko successfully raised three years in the theater, Tmuna
Supported by the National Lottery Council for the Arts
